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接受美学和目的论视角下的英汉电影片名翻译研究

作　者: 李树
导　师: 陈刚
学　校: 浙江大学
专　业: 英语语言文学
关键词: 英汉影片翻译接受美学目的论策略和技巧充足性得体性
分类号: H315.9
类　型: 硕士论文
年　份: 2009年
下　载: 480次
引　用: 0次
阅　读: 论文下载

内容摘要

随着中西方文化交流的促进和翻译研究的发展,不少学者开始更多地关注一个新的翻译领域——电影片名翻译。虽然这只是翻译研究的冰山一角,但从它所表现出的简洁形式和蕴涵的丰富内涵,人们能看到译者智慧的结晶,它也是翻译理论和方法灵活应用的反映。因此,值得作进一步的研究。论文在参考他人前期研究的基础上着手从接受美学和目的论的视角进行研究,同时结合纽马克关于翻译转换的语言功能。传统的翻译理论重视文本的产生和对文本本身的关注,而接受美学则转向了对文本的阅读和接受。观众的期待视野在接受理论中发挥着重要作用。目的论认为,对翻译行为起主导作用的首要法则是由未来接受者的需要和期待所决定的目标文本的目的。运用这些表面上看来不同的理论从不同视角来解读英汉电影片名翻译,其实是有异曲同工之妙的。在上述理论的指导下,论文以丰富的电影译名实例为佐证,比较分析了诸如音译、直译、意译、创译等翻译技巧和策略,并提出在风格、用字、文化、美感和商业作用五方面的得体性原则,以此来实现翻译的充足性。通过对两岸三地的不同译名的对比,总结出电影片名翻译的特征,并指出面对译名不统一的正确态度。论文把描写和解释相结合,对所引译例进行评价,以提出较为合理的解释。

全文目录

Acknowledgements  8-9
中文摘要  9-10
Abstract  10-11
Chapter 1 Introduction  11-21
  1.1 Necessity of the Research  11-12
  1.2 Literature Review  12-15
  1.3 Research Methodology  15-16
  1.4 Theoretical Framework  16-17
  1.5 Research Questions and Hypotheses  17-19
  1.6 Structure of the Thesis  19-21
Chapter 2 Profile of English Film Titles  21-32
  2.1 Film Genre  21-23
    2.1.1 The Science Fiction or Fantasy Film  22
    2.1.2 The Horror Film/Adventurous Film  22-23
    2.1.3 The Lyric Film  23
    2.1.4 The Comic Film  23
  2.2 Naming Approach of Film Titles  23-25
    2.2.1 Main Character(s)  24
    2.2.2 Plot  24
    2.2.3 Theme  24-25
    2.2.4 Background/Setting  25
    2.2.5 Clue  25
  2.3 Features of Film Titles  25-29
    2.3.1 Linguistic Features  25-26
    2.3.2 Cultural Features  26-28
      2.3.2.1 By Idioms  26-27
      2.3.2.2 By Allusions  27
      2.3.2.3 By Cultural Images  27-28
    2.3.3 Aesthetic Features  28-29
    2.3.4 Commercial Features  29
  2.4 Functions of Film Titles  29-32
    2.4.1 Informative Function  30
    2.4.2 Expressive Function  30-31
    2.4.3 Vocative Function  31-32
Chapter 3 E-C Film Title Translation Based on Reception Aesthetics  32-44
  3.1 An Introduction to Reception Aesthetics  32-34
    3.1.1 Reception Aesthetics as a Subject  32-33
    3.1.2 Horizon of Expectation and Fusion of Horizons  33-34
  3.2 Influence of Reception Aesthetics on Translation  34-37
    3.2.1 Resulting from Gradual Changes of Horizon of Expectation and Individual Differences  35-36
    3.2.2 Focus Turning to the Receptors  36
    3.2.3 Advantages and Disadvantages  36-37
  3.3 Influence of Reception Aesthetics on Film Title Translation  37-44
    3.3.1 Reception Process as an Aesthetic Experience  38
    3.3.2 Aesthetic Object  38-41
      3.3.2.1 Beauty in Rhyme and Form  39-40
      3.3.2.2 Beauty in Atmosphere and Emotion  40-41
    3.3.3 Aesthetic Subject  41-44
      3.3.3.1 The Audience that Should be Regarded as the Subject in the Translation Process with the Complete Aesthetic Experience  41-42
      3.3.3.2 The Translator that Should Take Advantage of the Audience's Dynamic Role and Try to Achieve Fusion of Expectation Horizon with the Audience  42-44
Chapter 4 E-C Film Title Translation Based on Skopostheorie  44-57
  4.1 An Introduction to Skopostheorie  44-51
    4.1.1 The Formation of the Theory  44-45
    4.1.2 The Core of Skopostheorie  45-47
    4.1.3 The Contributions of Skopostheorie  47-49
      4.1.3.1 Preferring Non-linguistic Factors  47-48
      4.1.3.2 Preferring Participants in Translation  48-49
      4.1.3.3 Preferring Cultural Factors  49
    4.1.4 The Significance and Limitations of Skopostheorie  49-51
  4.2 Application of Skopostheorie in Film Title Translation  51-55
    4.2.1 Expected Functions of Film Title Translation  51
    4.2.2 The Procedure of Film Title Translation  51-53
    4.2.3 Advantages of Application of Skopostheorie in Film Title Translation  53-55
      4.2.3.1 Diversified Translation Methods  53
      4.2.3.2 Full Use of a Translator's Subjectivity  53-54
      4.2.3.3 More Commercial Value  54-55
  4.3 Interaction Between the Expected Functions in Film Title Translation  55-57
    4.3.1 Excessive Emphasis on Commercial Value Instead of Its Artistry  55-56
    4.3.2 Only Stress on Artistry Instead of Its Commercial Value  56-57
Chapter 5 Exploring the E-C Film Title Translation:From Theory to Practice  57-79
  5.1 Techniques and Methods Applied in E-C Film Title Translation  57-69
    5.1.1 Transliteration  57-59
    5.1.2 Literal Translation  59-62
      5.1.2.1 Word-for-Word Translation  59-60
      5.1.2.2 Literal Translation with Slight Adaptation in Language Form  60-62
    5.1.3 Liberal Translation  62-66
      5.1.3.1 Techniques of Liberal Translation  62-64
      5.1.3.2 Combined with Literal Translation  64-65
      5.1.3.3 Combined with Transliteration  65-66
    5.1.4 Re-creative Translation  66-69
  5.2 Realization of Adequacy  69-75
    5.2.1 Appropriateness in Genre  69
    5.2.2 Appropriateness in Wording  69-70
    5.2.3 Appropriateness in Culture  70-73
      5.2.3.1 Cultural Compensation  70-71
      5.2.3.2 Cultural Transplantation  71-72
      5.2.3.3 Cultural Mediation  72-73
    5.2.4 Appropriateness in Aesthetics  73-74
    5.2.5 Appropriateness in Commercial Effect  74-75
  5.3 Comparison of the Film Title Translation in the Mainland, Hong Kong andTaiwan  75-79
Chapter 6 Conclusion  79-82
  6.1 Summary and Conclusion of the Research  79-81
  6.2 Limitations and Suggestions of the Research  81-82
Bibliography  82-86
作者简历  86

接受美学和目的论视角下的英汉电影片名翻译研究

内容摘要

全文目录

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