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卞之琳诗歌自译研究

作　者: 孙蕾
导　师: 廖七一
学　校: 四川外语学院
专　业: 英语语言文学
关键词: 卞之琳自译诗歌形式韵律节奏内在结构
分类号: I046
类　型: 硕士论文
年　份: 2011年
下　载: 48次
引　用: 0次
阅　读: 论文下载

内容摘要

从20世纪40年代起,著名翻译家兼诗人卞之琳先生在国内外不同刊物中共发表了20首英文自译诗歌。这20首自译诗歌是卞之琳作为诗人和翻译家两种身份紧密结合的典型代表,具有相当的研究价值。然而,在现存关于研究卞之琳先生的汗牛充栋的的论文甚至专著中,基本上都只限于单独研究卞之琳的诗歌或者译作及相关理论,很少能够把他诗人和翻译家的两种身份结合起来进行相关研究,而其中关于其英文自译诗歌的题材更是鲜见。卞之琳先生在诗歌创作和诗歌翻译理论方面有很多极具价值的洞见,尤其是其中关于注重“韵律”、“节奏”等理论更是对其自身的实践有着深远的影响,也对中国新诗运动的发展起到了积极地推动作用。本文通过对其诗歌创作理论和文学翻译理论尤其是诗歌翻译理论的深入总结,从韵律、节奏和内在结构等诗歌形式的三方面分析这20首自译诗歌的原文特征并通过与卞先生汉译英诗歌的翻译风格的对比分析这20首英文自译诗歌的翻译风格,发现自译诗与原诗在韵律和节奏方面未能严格遵循其在英诗汉译中提出和遵循的相关理论而在诗歌的内在结构方面却做到了完美再现。本文旨在通过对上述现象的分析梳理,对卞之琳先生自译诗歌出现这种现象的原因、意义及对译文的影响进行进一步探讨,同时一并讨论其自译行为的价值和对其自译进行研究的意义。

全文目录

摘要  4-5
Abstract  5-6
Acknowledgements  6-8
Introduction  8-14
Chapter One On Self-Translation  14-26
  1.1 Definition and Attribution of Self-Translation  14-17
    1.1.1 Definition of Self-Translation  14-15
    1.1.2 Attribution of Self-Translation  15-17
  1.2 Causes for Self-Translation  17-22
    1.2.1 Preconditions for Self-Translators  17-19
    1.2.2 Subjective Causes  19-20
    1.2.3 Objective Causes  20-22
  1.3 The Development of Self-Translation and Its Study  22-26
    1.3.1 Self-Translation and Its Study Home and Abroad  22-24
    1.3.2 An Outlook on the Present Study of Poetry Self-Translation  24-26
Chapter Two Bian Zhilin as a Poet and Translator  26-37
  2.1 A Survey of Bian as a Poet  27-31
    2.1.1 Poems of Early Years (1930--1937)  27-29
    2.1.2 Poems of Middle Phase (1938--1949)  29-30
    2.1.3 Poems of Late Phase（1949--2001）  30-31
  2.2 A Survey of Bian as a Translator  31-37
    2.2.1 Bian’s Translation Practice  31-32
    2.2.2 Bian’s Translation Theory  32-37
Chapter Three Bian’s Poetry Self-Translation  37-79
  3.1 An Introduction into Bian’s Poetry Self-Translation  37-40
  3.2 Features of the Original Poems on Poetic Form  40-53
    3.2.1 Maturation and Neatness in Rhythm  43-46
    3.2.2 Flexibility and Variety in Rhyme  46-49
    3.2.3 Ingenious Arrangement in Structure  49-53
  3.3 Self-Translation Style on Poetic Form  53-75
    3.3.1 Rhythm: Not Strictly “Replacing a Chinese Pause with an English Foot”  53-62
    3.3.2 Rhyme: Not Strictly Keeping Accordance with the Original  62-68
    3.3.3 Structure: Making Ingenious Transformation in Poetic Structure  68-72
    3.3.4 A Summary  72-75
  3.4 Significance of Bian’s Poetry Self-Translation  75-79
    3.4.1 Promoting the Transmission of Chinese New-style Poems  75-76
    3.4.2 Explaining the Amplification Phenomenon in Self-Translation  76-79
Conclusion  79-83
Works Cited  83-84

卞之琳诗歌自译研究

内容摘要

全文目录

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